Logo design services that still work at 16 pixels.

Across 2026 market data, most growing businesses pay $1,500–$5,000 for a professional logo with strategy and a full system. Experienced freelancers run $500–$2,500, studios and small agencies $2,500–$10,000, and full agency identity engagements start around $10,000. AI logo makers and design contests sit at $0–$500 and deliver a file, not a system. We scope from your brief and quote a fixed project price with the deliverables listed, so there is nothing to discover later.

A focused logo design project takes two to four weeks. A full brand identity system — logo, colour, typography, applications and guidelines — takes four to twelve weeks depending on scope and how many stakeholders review. Most delay comes from feedback rounds, not design time, so we set the review dates with you at kickoff.

A logo maker gives you a templated mark generated from shapes thousands of other businesses can also pick, usually with no vector master and no usage rules. Custom logo design starts from your market and your positioning, is drawn for your business, is stress-tested in the contexts you will actually use it, and hands over the copyright and the editable source files. One is a file; the other is an asset.

For every approved version — primary lockup, horizontal, stacked, icon-only, reversed and one-colour — you receive SVG for web and developer handoff, EPS for print vendors, embroiderers and sign makers, editable AI with fonts outlined as the master, and print-ready PDF. On top of that: RGB PNG exports for web and Instagram and LinkedIn posts, plus a favicon set. If a file set arrives without SVG or without EPS, it is incomplete.

Yes. On final payment the copyright and the editable vector source files transfer to you in writing. We do not licence marks back to clients, hold source files hostage, or reuse a direction you paid for on another project. We can sign an NDA before discovery if your launch is confidential.

Two to four revision rounds on the chosen direction are included in every project. The number of initial concepts is not the measure of value — a professional logo design company presents a few strong, reasoned directions rather than a wall of options that pushes the decision back onto you. Quality is measured by how well the final mark works, not by how many logo designs you were shown.

Yes — we walk you through relevant projects on the call, including the brief, the directions we rejected and why the final mark won. We show work in context rather than as a gallery, because a logo you cannot see on a truck, an invoice and a phone screen tells you very little.

Yes. Colour system, typography pairing, iconography, business cards, Instagram and LinkedIn templates, packaging and website design all sit with the same team, so the logo is not handed to a stranger to apply. Many clients start with the logo design service and add applications once the mark is signed off.

Cheaper up front, more expensive over the life of the brand. A logo design contest gives you volume — dozens of entries from designers who have never spoken to you, judged on taste rather than strategy — and the winning logo usually arrives without a vector master, a reversed version or usage rules. The best logo design work is not the design that looks freshest in a gallery of entries; it is the one that still reads as your company logo in five years, on a truck door and a phone screen. Contests optimise for the first, an agency optimises for the second.

Three logo design packages. Mark: discovery, two directions, one refined logo, the full vector file set. Identity: four directions, colour and typography system, logo business card and email signature, brand guidelines. System: everything in Identity plus social media templates, packaging or vehicle applications, and a Figma library your team can build from. Every package includes the source files; the difference is how much of the brand we design around the mark, not the quality of the logo designs themselves.

Yes. The same team delivers graphic design services across print and digital: business cards, sales collateral, pitch decks, packaging, signage, ad creative and social media posts. Files are built in Adobe Illustrator and Figma with fonts licensed for commercial use — including Google Fonts where it keeps your website and your print material on the same typeface — so anything we create, your team can open and extend.

We work with businesses across the United States — from New York and Miami to service-area companies with one location — and the whole process runs remotely: a kickoff call, a written brief, concept presentations over video, and files delivered to your drive. Nothing about designing a logo requires being in the same room, but everything about it requires actually talking to you first.